終了,是不知不覺的一年,是美麗的,是哀愁的,那如同杜麗娘自溼漉漉的氛圍裡驚醒,緩緩走出隘口,夢的隘口。
我於是把那些秘密燙金,壓印在紙緣,對折、對折,再對折,折成了把扇,讓它輕輕滲出些微風,在陽光裡閃爍著……
「這樣教人煩亂的
天氣,不知道做別的可不可以
譬如說做愛,可不可以?」
我們相偕,走出海水,那些浪,捲成藍色的巾,暖暖地圍住,我的和你的,一些些的,不確定的,脆弱。
整個故事還沒有說完啊,情節早已浸濕在潮聲之中。
「死了算了,這樣的
天氣:沒有花,沒有月
只有些風
……」
輕輕地闔上,那如冊的一年。
潮水自頁縫裡滲出,青藻纏成魚的模樣,弄濕了這席床。
在頁間,拓印你美麗的樣子,如魚游貫,七月的某頁。
200407
「」節自〈 歌〉,楊牧
pic/Man Ray (Emmanuel Rudnitzky). Rayograph. 1922. Gelatin silver print, 9 3.4 x 11 3/4" (23.9 x 30 cm). Gift of James Thrall Soby.
A photogram is a picture made on photographic paper without the aid of a camera. To make this one, Man Ray exposed the paper to light at least three times. Each time a different set of objects acted as a stencil: a pair of hands, a pair of heads kissing, and two darkroom trays, which seem almost to kiss each other with their corner spouts. With each exposure, the paper darkened where it was not masked.
"It is impossible to say which planes of the picture are to be interpreted as existing closer or deeper in space. The picture is a visual invention: an image without a real-life model to which we can compare it," notes curator John Szarkowski. A Surrealist might have said, instead, that it discloses a reality all the more precious because it is otherwise invisible.
Man Ray claimed to have invented the photogram not long after he emigrated from New York to Paris in 1921. Although, in fact, the practice had existed since the earliest days of photography, he was justified in the artistic sense, for in his hands the photogram was not a mechanical copy but an unpredictable pictorial adventure. He called his photograms "rayographs."
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