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李安生日快樂!紀念專題:李安最愛的五部電影 5 Favorite Films by Ang Lee

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今天是我最崇敬的台灣之光李安大導演的生日,特此介紹一下他最愛的五部電影,這份名單取自去年11月爛番茄網站訪問各導演「最愛的五部電影」的專題,因此應該還沒完全過期,但李安在接受訪問時,曾說若是在別的時間問他,他的五部片單可能會完全不一樣,他也很容易就丟出50部或100部的片單,不論如何,這是五部在當時第一時間出現在他腦海裡的傑作。



東京物語/Tôkyô Monogatari (Tokyo Story) 小津安二郎/Ozu Yasujirô Japan 1953
理由:
這是我認為最棒、至少是最棒的家庭劇之一,具有真正緊揪住我心的十足的東方感,每件事物都相當平和而不過於戲劇化,但結尾時卻留給你一股世事並不能盡如人意的餘味,我愛這個主題,他(小津)呈現了人生中十分細膩的轉變,但他透過這份細膩呈現了生命的本質,也就是改變。沒有事物會永遠不變,唯一不變的就是萬物都會改變的常理,本片以一個非常壓倒性的方式將這份理念灌注給我,誠如生命本身。

"It's one of the greatest, if not the greatest family drama in my opinion. It's very Eastern, which really grabbed my heart. Everything is very peaceful, nothing too dramatic, but at the end it really gives you the bite that somehow life is disappointing. I love that theme. It shows a very subtle change in life but by being subtle he shows the essence of live, which is change. Nothing will stand still and the only thing that will never change is the principle that things will change. In a very subdued way, it really transmitted that idea to me. It's very lifelike."


單車失竊記 Ladri di Biciclette (The Bicycle Thief a.k.a. Bicycle Thieves) Vittorio De Sica Italy 1948
理由:
我是看通俗劇長大的,當我被帶去(看)這部片時,我哭得好慘,此後我又看了許多次。通俗劇是個對我輕而易舉的類型,但新寫實主義的義大利導演們能真正將它昇華到一個真正哲意的社會狀態,這是個了不起的成就,他們能超越故事本身。

"I was brought up with melodrama and I got taken [to see it] and really cried my eyes out -- I've seen it many times since. It's something I could do really easily, melodrama, but the neo-realism Italian directors can really upscale the genre to a really philosophical social state. That's really incredible; they can transcend that drama."


假面 Persona Ingmar Bergman Sweden 1966
理由:
我是柏格曼的大影迷,他的電影「處女之泉」改變了我的一生,確實是我喜愛的那種電影,是我還在台灣滿18歲時看的第一部限制級電影而震撼了我。此後我看了更多他的作品,「假面」是我的最愛。

"I'm a big Bergman fan. His movie, Virgin Spring, changed my life. It really fit me, it was the first R film I saw when I was 18 growing up in Taiwan and I was electrified. And then I watched more of his movies and Persona is my favourite."


2001太空漫遊 2001: A Space Odyssey Stanley Kubrick UK/USA 1968
昨天我穿了一件特別的襯衫,那是庫柏利克最愛的襯衫。他最後一部作品的服裝是由與我合作過三次的英國服裝設計師設計,她兩年前過世了,但她說庫柏利克有七件這種款式的襯衫,他每天都只穿這種襯衫,所以她做了一件給我,我愛極了。我完全崇拜庫柏利克,我並不能完全搞懂2001是什麼,我看的時候年紀還小,但它卻能讓我全神貫注,就像一趟嗑了藥的迷幻之旅。(笑)

"Yesterday I wore a particular shirt, which was Kubrick's favourite shirt. His last picture was costumed by an English costume designer who I used three times. She passed away a couple of years ago, but she said Kubrick had seven sets of this particular shirt. He'd only wear that shirt every day, so she made one for me and I love it. I just worship Kubrick. 2001, I couldn't really figure out what it was but I saw it when I was young and it captured me. It's like an acid trip! [laughs]"


黎巴嫩 Lebanon שמואל מעוז/Samuel Maoz Israel/France/Lebanon/Germany 2009
理由:
這並不是我最愛的電影,我可以挑其他我喜歡的影片,但以今年而言,我的最愛就是這部以色列電影。我在今年威尼斯影展擔任評審,而我們給了本片金獅獎,它相當扣人心弦,整部片是在一部坦克車裡拍攝而非常地具感染力,這真是個令人興奮亦十分特別的電影創作。本片不會在我的歷年最愛電影名單中,但在今年,它的確讓我印象深刻。

"It's not my favourite movie -- I could go on for many movies I liked -- but this year, it's this Israeli movie. I was on the jury in Venice and we gave it the Golden Lion. It's really gripping. The whole movie is shot from the inside of a tank and it's so effective. It's really exciting moviemaking and quite special. It won't make it to my all-time great movie list, but for this year, it was something that really impressed me."

台長: 喬治鎊

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