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2012英國電影協會影史50大電影 BFI: The Top 50 Greatest Films of All Time

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1. 迷魂記 艾佛瑞德希區考克 Vertigo Alfred Hitchcock, 1958 (191 votes)


2. 大國民 奧森威爾斯 Citizen Kane Orson Welles, 1941 (151 votes)


3. 東京物語 小津安二郎 Tokyo Story Ozu Yasujiro, 1953 (107 votes)


4. 遊戲規則 尚雷諾 La Règle du jeu (The Rules of the Game) Jean Renoir, 1939 (100 votes)


5. 日出 FW穆瑙 Sunrise: A Song of Two Humans FW Murnau, 1927 (93 votes)


6. 2001:太空漫遊 史丹利庫柏力克 2001: A Space Odessey Stanley Kubrick, 1968 (90 votes)


7. 搜索者 約翰福特 The Searchers John Ford, 1956 (78 votes)


8. 持攝影機的人 季加維爾托夫 Man with a Movie Camera Dziga Vertov, 1939 (68 votes)


9. 聖女貞德受難記 卡爾德萊葉 The Passion of Joan of Arc Carl Dreyer, 1927 (65 votes)


10. 八又二分之一 費德利珂費里尼 8½ Federico Fellini, 1963 (64 votes)

11. 波坦金戰艦 賽傑艾森斯坦 Battleship Potemkin Sergei Eisenstein, 1925 (63 votes)
12. 亞特蘭大號 尚維果 L’Atalante Jean Vigo, 1934 (58 votes)
13. 斷了氣 尚呂克高達 Breathless Jean-Luc Godard, 1960 (57 votes)
14. 現代啟示錄 法蘭西斯福特柯波拉 Apocalypse Now Francis Ford Coppola, 1979 (53 votes)
15. 晚春 小津安二郎 Late Spring Ozu Yasujiro, 1949 (50 votes)
16. 驢子巴薩札 侯貝布列松 Au hasard Balthazar Robert Bresson, 1966 (49 votes)
17= 七武士 黑澤明 Seven Samurai Kurosawa Akira, 1954 (48 votes)
17= 假面 英格瑪柏格曼 Persona Ingmar Bergman, 1966 (48 votes)
19. 鏡子 安德烈塔可夫斯基 Mirror Andrei Tarkovsky, 1974 (47 votes)
20. 萬花嬉春 史丹利杜寧、金凱利 Singin’ in the Rain Stanley Donen & Gene Kelly, 1951 (46 votes)
21= 情事 米開朗基羅安東尼奧尼 L’avventura Michelangelo Antonioni, 1960 (43 votes)
21= 輕蔑 尚呂克高達 Le Mépris Jean-Luc Godard, 1963 (43 votes)
21= 教父 法蘭西斯福特柯波拉 The Godfather Francis Ford Coppola, 1972 (43 votes)
24= 諾言 卡爾德萊葉 Ordet Carl Dreyer, 1955 (42 votes)
24= 花樣年華 王家衛 In the Mood for Love Wong Kar-Wai, 2000 (42 votes)
26= 羅生門 黑澤明 Rashomon Kurosawa Akira, 1950 (41 votes)
26= 安德烈盧布烈夫 安德烈塔可夫斯基 Andrei Rublev Andrei Tarkovsky, 1966 (41 votes)
28. 穆荷蘭大道 大衛林區 Mulholland Dr. David Lynch, 2001 (40 votes)
29= 潛行者 安德烈塔可夫斯基 Stalker Andrei Tarkovsky, 1979 (39 votes)
29= 浩劫 克婁德蘭茲曼 Shoah Claude Lanzmann, 1985 (39 votes)
31= 教父續集 法蘭西斯福特柯波拉 The Godfather Part II Francis Ford Coppola, 1974 (38 votes)
31= 計程車司機 馬丁史柯西斯 Taxi Driver Martin Scorsese, 1976 (38 votes)
33. 單車失竊記 維托利亞狄西嘉 Bicycle Thieves Vittoria De Sica, 1948 (37 votes)
34. 將軍號 巴斯特基頓、克萊德布洛克曼 The General Buster Keaton & Clyde Bruckman, 1926 (35 votes)
35= 大都會 佛烈茲朗 Metropolis Fritz Lang, 1927 (34 votes)
35= 驚魂記 艾佛瑞德希區考克 Psycho Alfred Hitchcock, 1960 (34 votes)
35= 珍妮德爾曼 香妲艾克曼 Jeanne Dielman, 23 quai du Commerce 1080 Bruxelles Chantal Akerman, 1975 (34 votes)
35= 撒旦的探戈 貝拉塔爾 Sátántangó Béla Tarr, 1994 (34 votes)
39= 四百擊 馮斯瓦楚浮 The 400 Blows François Truffaut, 1959 (33 votes)
39= 生活的甜蜜 費德利珂費里尼 La dolce vita Federico Fellini, 1960 (33 votes)
41. 義大利之旅 羅貝托羅賽里尼 Journey to Italy Roberto Rossellini, 1954 (32 votes)
42= 大地之歌 薩雅吉雷 Pather Panchali Satyajit Ray, 1955 (31 votes)
42= 熱情如火 比利懷德 Some Like It Hot Billy Wilder, 1959 (31 votes)
42= 葛楚 卡爾德萊葉 Gertrud Carl Dreyer, 1964 (31 votes)
42= 狂人皮埃洛 Pierrot le fou Jean-Luc Godard, 1965 (31 votes)
42= 遊戲時間 賈克大地 Play Time Jacques Tati, 1967 (31 votes)
42= 特寫鏡頭 阿巴斯基亞羅斯塔米 Close-Up Abbas Kiarostami, 1990 (31 votes)
48= 阿爾及爾之戰 吉洛彭泰柯佛 The Battle of Algiers Gillo Pontecorvo, 1966 (30 votes)
48= 電影史 尚呂克高達 Histoire(s) du cinéma Jean-Luc Godard, 1998 (30 votes)
50= 城市之光 查理卓別林 City Lights Charlie Chaplin, 1931 (29 votes)
50= 雨夜物語 Ugetsu monogatari (Tales of Ugetsu) Mizoguchi Kenji, 1953 (29 votes)
50= 堤 克里斯馬克 La Jetée Chris Marker, 1962 (29 votes)


2012〈視與聽〉導演們的10大電影 The 2012 Sight & Sound Directors’ Top Ten

1. 東京物語 小津安二郎 Tokyo Story Ozu Yasujirô, 1953 (48 votes)
Subtle and sensitive, Tokyo Story lets the viewer experience the tensions and demands that modern life makes on people – here family members—Adoor Gopalakrishnan 《牆》(Mathilukal, 1990) 導演

2= 2001:太空漫遊 史丹利庫柏力克 2001: A Space Odyssey Stanley Kubrick, 1968 (42 votes)
This is the film I’ve seen more than any other in my life. 40 times or more. My life altered when I discovered it when I was about 7 in Buenos Aires. It was my first hallucinogenic experience, my great artistic turning-point and also the moment when my mother finally explained what a foetus was and how I came into the world. Without this film I would never have become a director—Gaspar Noé 《不可逆轉》(Irreversible, 2002) 和《嗑到荼靡》(Enter the Void, 2009) 導演

2= 大國民 奧森威爾斯 Citizen Kane Orson Welles, 1941 (42 votes)
Welles’s feat of imagination in Citizen Kane remains dazzling and inspiring. Cinema aspiring to great art, political import – and delivered with unabashed showmanship. The fervour of the work is as excited and electric as ever. The thriller plot never disappoints—Kenneth Branagh 《亨利五世》(Henry V, 1989) 和《哈姆雷特》(Hamlet, 1996) 導演

4. 八又二分之一 費德利珂費里尼 8½ Federico Fellini, 1963 (40 votes)
8½ is a film I saw three times in a row in the cinema. This is chaos at its most elegant and intoxicating. You can’t take your eyes off the screen, even if you don’t know where it’s heading. A testament to the power of cinema: you don’t quite understand it but you give yourself up to let it take you wherever—Pen-Ek Ratanaruang 
《宇宙的最後生命》(Last Life in the Universe, 2003) 導演
A true classic has to be both intimate and universal. To speak about cinema through cinema requires a voice unwavering in its passion and purity. 8½ speaks as much about life as it does about art – and it makes certain to connect both. A portrait of the teller and his craft – a lustful, sweaty, gluttonous poem to cinema—Guillermo del Toro 《羊男的迷宮》(Pan's Labyrinth, 2006) 導演

5. 計程車司機 馬丁史柯西斯 Taxi Driver Martin Scorsese, 1976 (34 votes)
A film so vivid, hypnotic and corrosive that it feels forever seared onto your eyeballs, Taxi Driver turns a city, a time and a state of mind into a waking nightmare that’s somehow both horribly real and utterly dreamlike—Edgar Wright
《活人牲吃》(Shawn of the Dead, 2004) 導演

6. 現代啟示錄 法蘭西斯福特柯波拉 Apocalypse Now Francis Ford Coppola, 1979 (33 votes)
Coppola evoked the high-voltage, dark identity quest, journeying into overload; the wildness and nihilism – all captured in operatic and concrete narrative, with the highest degree of difficulty. A masterpiece—Michael Mann 《烈火悍將》(Heat, 1995) 和《驚爆內幕》(The Insider, 1999) 導演

7= 教父 法蘭西斯福特柯波拉 The Godfather Francis Ford Coppola, 1972 (31 votes)
A classic, but I never tire of it. The screenplay is just so watertight, and Michael’s journey is one of the best protagonist arcs ever created—Justin Kurzel 《血教育》(Snowtown aka The Snowtown Murders, 2011) 導演

7= 迷魂記 艾佛瑞德希區考克 Vertigo Alfred Hitchcock, 1958 (31 votes)
[These are the scenes or aspects I usually think about in the movies I have thought about most often…] In Vertigo, after he’s worked so hard to remake her and finally she emerges: hair dyed platinum, grey suit, misty lens. It’s her!—Miranda July 《偶然與你相遇》(Me and You and Everyone We Know, 2005) 導演

9. 鏡子 安德烈塔可夫斯基 Mirror Andrei Tarkovsky, 1974 (30 votes)
I must have been around 13 when I first watched Mirror. This time I realized that there are films that are not even meant to be ‘understood’. It’s the poetry of cinema in its purest form, on a very delicate verge of being pretentious – which makes its genius even more striking—Alexei Popogrebsky 《我如何度過這個夏天》(How I Ended This Summer, 2010) 導演

10. 單車失竊記 維托里歐狄西嘉 Bicycle Thieves Vittorio De Sica, 1949 (29 votes)
My absolute favourite, the most humanistic and political film in history—Roy Andersson
《二樓傳來的歌聲》(Songs from the Second Floor, 2000) 導演

台長: 喬治鎊
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