Rita Calypso /apocalypso
http://www.siesta.es/pags/disco.asp?codigoSiesta=164
Everything is enigmatic in Rita, like in the Sybil. We know that she has been bred in the more exotic musical gardens and than it has studied in Swiss schools of reputation. We know that ring comes to him as the finger the repertoire from Dedrick/ Free Design, Webb, Tim Hardin, Fox & Gimbel, Bass, Burt Bacharach or Lee Hazlewood. Nobody knows despite the reasons for which there are been in the anonymity until now. Not even it is known with certainty if Rita comes from a shady or luciferino country or of a country dominated by the sun and the laziness. What is evident is that our heroin has a voice of most suggestive than evokes a music of universal validity. Apocalypso was its amazing first long duration; a hospitable disc, to quilt the life and to try musical well-being and to have by hand in the small table at night. A disc that did not choose to prize but that it published to big drum and subject of gossip in Japan, Korea, Singapur, the Philippines, China and Taiwan. And not only that, their songs of the previous disc - Apocalypso (siesta 164) - have been spurred in televising announcements and cartoons of the Distant East and their figure continue besieged by a multitude of torn eyes that overwhelm with praises and purpurina. Ana Laan is a singing singular and the times blow well his to alter ego. The songs of Apocalypso and Sicalyptico are enameled by their vocal and satin adjustments with their international smile, so of the affability of the jet Seth. Ana leaves bossa novates and the turns of pop the most modern one to transform itself into a star of the song of the taste of refined Fertile valleys or clubs of jazz. One observes the sprouting of these anachronistic and charming artists equal parts with affection. Trompetas of the fame does not seduce to him and to you? To exceptional destiny, exceptional woman. Their two works have been urdidos by the producing baton of Ramon Leal and Mateo Guiscafré. Apocalypso emulates the world of Nancy Sinatra, Sandie Shaw, Karen Carpenter, Sue Raney, Petula Clark, Margo Guryan or Astrud Gilberto, rendering felt tribute to A&M, Longet and Tommy LiPuma. And delineated according to cánones of the pop one of high seam and starched true Sicalyptico a classic one with I touch sublime and sly sexual breathing. They already know, sicalipsis is ` malicia sexual, picardía eróticá and sicalíptico is synonymous of erótico. The songs include different perimeters from the bubblegum mills and jovial of "Believe" to the autumnal tones of "If" or "Wailing of the willow". The crosses in addition the boulevards to the most appetizing jazz in "trail On", pop the more preciosista of Paul Williams and Roger Nichols in "The to drifter" and "It's hard to say goodbye" passing per meditabundos and acoustic moments like "Look AT me" or "Lady (with the tangerine blouse)", and musical mirrors broken in thousand small pieces of melancholy like "Good to be around", "Georgianna Peach" or "I love the love in you". Others have sharp delicious like "Only friends" that seems a buried subject of ABBA. Without a doubt our heroin has the instinct of natural conservation of the women and makes inmarcesible music and of reasonable access to the public. It can say that Rita Calypso already is as mythical as the vellocino of gold. An artist of varietés of the century XXI that makes him swallow the hook to most obstinate. Save, Rita!
Canciones:
wanderlove
paper mache
where do i go?
mary
kinky love
settlement boy
birds
sugartown
i´ll cry myself for sleep
the end
the disadventages of you
misty roses
never was a love like mine
