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來自美國加州的Train成立於1994年
主唱Pat Monahan / 吉他 Jimmy Stafford / 鼓手Scott Underwood
2001年的「Drops of Jupiter (Tell Me)」為他們贏得第一座葛萊美獎，今年又再以2009年的「Hey, soul sister」贏得第二座葛萊美獎、、對於至今也只出過7張專輯的他們來說，真的是一項殊榮 ~ 呵 ~好作品的確是需要蘊釀 ~
Drops of Jupiter (Tell Me)百聽不膩 ~~ 捨不得從我MP3中換掉ㄚ ~ ~ ^0^
(Hey, Soul Sister)
(Marry Me)
(Drops Of Jupiter)
now that she's back in the atmosphere
With drops of jupiter in her hair, hey, hey
She acts like summer and walks like rain
Reminds me that there's time to change, hey, hey
Since the return from her stay on the moon
She listens like spring and she talks like june, hey, hey
Tell me did you sail across the sun
Did you make it to the milky way to see the lights all faded
And that heaven is overrated
Tell me, did you fall for a shooting star
One without a permanent scar
And did you miss me while you were looking for yourself out there
Now that she's back from that soul vacation
Tracing her way through the constellation, hey, hey
She checks out mozart while she does tae-bo
Reminds me that there's room to grow, hey, hey
Now that she's back in the atmosphere
I'm afraid that she might think of me as plain ol' jane
Told a story about a man who is too afraid to fly so he never did land
Tell me did the wind sweep you off your feet
Did you finally get the chance to dance along the light of day
And head back to the milky way
And tell me, did venus blow your mind
Was it everything you wanted to find
And did you miss me while you were looking for yourself out there
Can you imagine no love, pride, deep-fried chicken
Your best friend always sticking up for you even when i know you're wrong
Can you imagine no first dance, freeze dried romance five-hour phone
Conversation
The best soy latte that you ever had . . . and me
Tell me did the wind sweep you off your feet
Did you finally get the chance to dance along the light of day
And head back toward the milky way
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Vocals -Pat Monahan
Guitar -Jimmy Stafford
Drums-Scott Underwood
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Over the course of 15 years, Train has made its mark on music history with their Grammy-Award-winning
song "Drops of Jupiter (Tell Me)" and chart-topping singles "Meet Virginia" and "Calling All Angels." Since
forming in San Francisco in 1994, the multi-platinum selling band has traveled a long, successful and
sometimes arduous journey.
Following their 2006 release, For Me, It's You, the band took a three-year hiatus, and in that time, Train has, for all intents and purposes, experienced an epiphany as a whole. Now, with their fifth album, Save Me San Francisco, Train has channeled their early days, revisiting the roots rock sound that has made the band such a tour de force – and, in turn, the band is united stronger than ever before.
"I think taking time away from each other really made the heart grow fonder," frontman Pat Monahan says of the break. "We realized how important we were to one another and taking a few years off helped us all really look at ourselves and what we could contribute to this band as opposed to what we weren't getting from the band."
When looking back, Train credits the city of San Francisco with cultivating the band's identity and foundation, so it's no wonder than the title track of the record would pay homage to the Bay Area metropolis the band holds so dear. "We owe all of our gratitude to San Francisco because they embraced us back when, if they hadn't have, no one would have," Monahan explains. "Basically, this album is our way of paying tribute, giving thanks and also recognizing that we kind of need San Francisco to OK this band before anybody else does.
Those were the best times of our lives – even though we didn't know it – living in San Francisco and struggling to make a band work."
"Save Me San Francisco" is an autobiographical account of Train's beginnings, and embodies not only the spirit of the album, but also the soul of Train as a band. The song's lyrics take the listener through the three-piece's humble start in the mid-90s up through the time when Monahan, in particular, left the City by the Bay. "It's very related to my existence, but Jimmy, Scott and I have been through a lot together in the last 14-15 years, so it represents a lot to them, too, because they don't reside in San Francisco anymore, and we all miss it."
Train spent April and May of 2009 holed up in London 's Kensaltown Studios with producer Martin Terefe (KT Tunstall, Jason Mraz, James Morrison) with whom Monahan credits with helping the band "get back to the roots of the first record." "It was an incredibly refreshing environment that Martin created for the band," the singer says. "I'm really appreciative of his approach on things because he's really great at what he does. I had more fun making this record than ever in my life. I think I've made seven records and it was by far the most fun."
Save Me San Francisco taps into Train's organic sound, recalling the blues and folk-infused rock that put the band on the map from the start. "It's pretty basic," Monahan explains of the record. "But really cool because there's super catchy riffs and melodies in it, which I think are way more important that any production trick or great-sounding vocal production. It's kind of us going backward so we can go forward."
It is befitting that the focus of Save Me San Francisco is as uncomplicated as the record sounds. Monahan explored the age-old concept of love through his signature storytelling lyrics and the album, as he explains, is "about love in every way you can think about it."
"There are certain songs that, instead of there being an intention, there was almost a theme," he says. "I think a lot of the way I wrote on this wasn't necessarily, ‘Hey, this reminds me of a situation I was in,' but more how I see certain things being lived out in life, whether it's from myself or someone else's perspective."
In this day and age, career artists are few and far between, and after a decade and a half of being a band, Train is ready to present one of their strongest efforts to date. Monahan recognizes the band's accomplishments, and, as he states so clearly, is more than grateful for the success they have experienced. However, for a band as consummate as Train is, Monahan still sets his goals high and hopes the band's fans will continue to come along for the ride.
"I still remember what it's like to paint houses," he recalls. "I had fun because I loved the people that I worked with, but it's really not what I want to do – not because it's a degrading job or anything, but because when I'm on stage I feel so much more connected to who I think I truly am. I just want to stay connected to the highest level myself can be and I think it comes through music. With that said, I'll never stop wanting to sell out Madison Square Garden , so my goals are very simple, but they're pretty big at the same time. I think Train fans who have watched the good and the bad, have been a part of all of it and have loved some of the music and not liked some of the music, are really going to like this record a lot -- I think, much more than they have in years."
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