認真可愛的E大調的問題----有關貝多芬的土耳其進行曲，我能肯定的是有一曲”土耳其進行曲主題D大調六段變奏曲,但多半在鋼琴小品中我們會彈到的多芬土耳其進行曲,有些資料寫說是選自劇樂「雅典廢墟」,亦也有寫降B大調第四交響曲（OP•60）orD大調第二交響曲（OP•36）.但我實在聽不出來..出自那一樂章...請問妳..知道嗎..我在拜爾併用的鋼琴小曲集中..介紹僅寫是改自降b大調...由於原曲彈奏較有困難度,需有相當程度才能彈奏,故小曲集多半僅收錄簡易改編後的，試問,原曲到底出自那裡??
因應E大調的問題，讓我再度重拾起前年底及去年初讓我唸到分身乏術的西洋音樂史來，找了一下貝多芬那頁的文章看了看，呵呵...看來久未再碰書還是會忘了以前老師所教的東西啦！=_=”
以下是我再上網找到的資料，不過是原文的，可得麻煩大家自行翻譯囉！:P
取自
http://www.answers.com/topic/ruins-of-athens-incidental-music-op-113?cat=entertainment
Classical Works: Ruins of Athens, incidental music, Op. 113
In 1811 Beethoven was commissioned to provide incidental music to August von Kotzebue’s Prologue (König Stephan) and Epilogue (Die Ruinen von Athen), which were to be performed at the opening of the new imperial theater in Pest on February 10, 1812. Because the occasion was patriotic, the works are filled with flattery for the current emperor, Franz. Both works were well received at their premieres; the Overture to Die Ruinen von Athen was published in 1823 by Steiner in Vienna, but the complete piece was not printed until 1846.
Die Ruinen von Athen (The Ruins of Athens) tells the story of Minerva, who, after sleeping for 2,000 years, awakens to find the Parthenon destroyed and Athens occupied by the Turks. Culture and reason have disappeared from what was the ancient Greek world, but these human qualities have been preserved in Pest by the enlightened Emperor Franz.
In addition to solo soprano and bass, four-part chorus, and a full orchestra with paired woodwinds and four horns, Beethoven calls for piccolo and percussion -- instruments associated by the Viennese with Turkish Janissary bands. This instrumentation would reappear in Beethoven’s Ninth Symphony, in the Turkish March variation of the finale.
Beethoven constructed the Overture to Die Ruinen von Athen in an unusual manner: the key relationships follow the sonata-form pattern, but the treatment of the melodic material does not. Marked Andante con moto, a slow introduction begins with a brief gesture, in G minor, stated first by the string basses and then moving through the rest of the orchestra. An arching tune in the strings gives way to the first theme, Allegro ma non troppo, set in G major and played on the oboe. Transitional material modulates to the dominant, where the second theme, more angular than the first, also appears in the oboe. A diminutive development refers to the introduction by briefly touching on the minor mode with melodic material drawn from the transition -- not the first or second theme (this is the main deviation from standard sonata form). After the return to the tonic, we hear neither the first or second themes, but rather a recapitulation built almost entirely on transitional material, which closes the overture in G major. To Beethoven, key relationships -- not an ordered repetition of melodic material -- were the crux of the Classical style.
Aside from the overture, the ”Chorus of the Dervishes” and the ”Marcia alla Turca” remain the most effective and appealing selections from the incidental score, composed in a popular ”Turkish” style. ~ All Music Guide
Movements
Overture, Op. 113, (Andante con moto, G minor - Allegro, ma non troppo, G major)
Chorus: Tochter des machtigen Zeus (Andante poco sostenuto, E-flat major)
Duet (a Greek and a Greek girl): Ohne Verschulden Knechtschaft dulden (Andante con moto - Poco piu mosso, G minor)
Dervish Chorus: Du hast in deines Aermels Felten (Allegro, ma non troppo - G major)
Marcia alla turca / Turkish march (Vivace - B-flat major)
Music from the back of the stage (Allegro assai ma non troppo - C major)
March with chorus, Op. 114: Schmuckt die Altare (Assai moderato - E-flat major)
a. Recital: Mit reger Freude
b. Chorus: Wir tragen empfangliche Herzen im Busen (Allegretto ma non troppo - G major)
c. Aria: Will unser Genius noch einen Wunsch gewahren? (Adagio - C major)
d. Aria: Er ist’s! Wir sind erhort! (Allegro con brio - C major)
Chorus: Heil unserm Konig! (Allegro con fuoco - A major)
再放上兩種不同版本的土耳其進行曲給大家聽聽
鋼琴版
http://www.youtube.com/watch?v=qwl96_pRnt8
管弦樂版
http://www.youtube.com/watch?v=SexvTXYNcjY
2019.7.28學生音樂發表會, (酒館藍調)
